1 00:00:07,140 --> 00:00:08,280 PREVIOUSLY ON "SWITCHED AT BIRTH"... 2 00:00:08,280 --> 00:00:09,320 I JUST GOT OUT OF A MEETING WITH 3 00:00:09,320 --> 00:00:10,570 the builder for the restaurant. 4 00:00:10,570 --> 00:00:12,070 IT'LL BE ANOTHER 350K EACH. 5 00:00:12,070 --> 00:00:13,280 ARE YOU KIDDING? 6 00:00:13,280 --> 00:00:14,360 YOU WON $5 MILLION IN A LAWSUIT-- 7 00:00:14,360 --> 00:00:15,360 WHERE DID IT ALL GO? 8 00:00:15,360 --> 00:00:18,160 I KEPT THINKING I'D TURN IT AROUND. 9 00:00:18,160 --> 00:00:20,250 AND I WILL WITH THIS RESTAURANT. 10 00:00:20,250 --> 00:00:21,870 Daphne: GUYS LIKE COTO WORK THE SYSTEM 11 00:00:21,870 --> 00:00:23,870 AND TRADE FAVORS. IT MAKES ME SICK. 12 00:00:23,870 --> 00:00:25,580 Secretary: Senator Coto, there's a reporter 13 00:00:25,580 --> 00:00:27,160 from the "Star" out here waiting to talk to you. 14 00:00:27,160 --> 00:00:30,590 I'M SUPPOSED TO PICK SOME PIECES TO SHOW THIS PRATT RECRUITER. 15 00:00:30,590 --> 00:00:33,840 WHATEVER CAN MAKE YOU STAND OUT IS VALUABLE. 16 00:00:33,840 --> 00:00:35,260 I WAS THINKING ABOUT APPLYING TO SCHOOLS 17 00:00:35,260 --> 00:00:38,270 - THAT HAVE A STRONG PREMED PROGRAM. - PREMED. 18 00:00:38,270 --> 00:00:40,230 TOBY LEFT US THIS NOTE ON HIS WAY TO THE AIRPORT. 19 00:00:40,230 --> 00:00:42,100 - ICELAND. - ICELAND? 20 00:00:42,100 --> 00:00:43,480 THE CREW THAT NACHO RUNS WITH, 21 00:00:43,480 --> 00:00:44,520 THEY CAN DO A LOT MORE THAN THROW 22 00:00:44,520 --> 00:00:46,270 BRICKS THROUGH YOUR WINDOW. 23 00:00:46,270 --> 00:00:48,320 - I GOT MY JOB BACK. - ON THE EAST RIVERSIDE PROJECT? 24 00:00:48,320 --> 00:00:50,990 ARE YOU DETERMINED TO GET YOURSELF HURT? 25 00:00:50,990 --> 00:00:52,490 WHY DON'T YOU COME TO THE SHOOTING RANGE? 26 00:00:52,490 --> 00:00:54,070 I'LL SHOW YOU HOW TO PROTECT YOURSELF. 27 00:00:54,070 --> 00:00:55,320 ABSOLUTELY NOT! 28 00:00:55,320 --> 00:00:56,400 Regina: I THINK I'M BEING FOLLOWED. 29 00:00:56,400 --> 00:00:57,740 THERE'S A MAN IN THE PARKING LOT, 30 00:00:57,740 --> 00:00:58,870 WHERE I WORK. I THINK HE'S WAITING FOR ME. 31 00:00:58,870 --> 00:01:00,790 I WOULD LIKE TO TAKE YOU UP ON YOUR OFFER. 32 00:01:00,790 --> 00:01:02,080 I WANT YOU TO TEACH ME HOW TO SHOOT. 33 00:01:04,000 --> 00:01:06,000 ( cell phone ringing ) 34 00:01:06,000 --> 00:01:07,500 Kathryn: OHH. 35 00:01:07,500 --> 00:01:09,260 ( sighs ) 36 00:01:10,340 --> 00:01:12,300 OH. 37 00:01:12,300 --> 00:01:14,300 ( sighs deeply ) 38 00:01:14,300 --> 00:01:15,800 ( groggily ) HELLO? 39 00:01:18,390 --> 00:01:21,140 OH, NO. 40 00:01:21,140 --> 00:01:23,140 - WHAT? WHAT IS IT? - OH... 41 00:01:23,140 --> 00:01:26,390 ( exhales ) THERE'S BEEN AN ACCIDENT. 42 00:01:26,390 --> 00:01:29,400 ( theme music playing ) 43 00:01:37,030 --> 00:01:40,410 ( gunshots ) 44 00:01:40,410 --> 00:01:42,910 YOU'RE PULLING TO THE LEFT. 45 00:01:42,910 --> 00:01:44,160 JUST BREATHE OUT FIRST. 46 00:01:46,580 --> 00:01:48,080 ( exhales ) 47 00:01:50,300 --> 00:01:51,670 ( gunshot ) 48 00:01:51,670 --> 00:01:53,380 NICE! 49 00:01:53,380 --> 00:01:54,010 ARE YOU SURE YOU HAVEN'T 50 00:01:54,010 --> 00:01:55,250 DONE THIS BEFORE? 51 00:01:55,250 --> 00:01:57,210 I NEVER WANNA DO IT AGAIN. 52 00:01:57,210 --> 00:01:59,220 YOU CAN'T BE AFRAID OF IT. 53 00:01:59,220 --> 00:02:01,060 IT'S JUST A TOOL. 54 00:02:01,060 --> 00:02:03,390 THAT IS A DEADLY WEAPON. 55 00:02:03,390 --> 00:02:04,600 IT'S A MEANS OF SELF-DEFENSE. 56 00:02:04,600 --> 00:02:05,640 IF YOU'VE GOT ONE OF THESE, 57 00:02:05,640 --> 00:02:07,220 NO ONE'S GONNA MESS WITH YOU. 58 00:02:07,220 --> 00:02:09,030 YOU JUST KEEP IT LOCKED, 59 00:02:09,030 --> 00:02:10,730 AND YOU'RE ALWAYS THE ONE IN CONTROL. 60 00:02:10,730 --> 00:02:12,030 HAVE YOU EVER USED YOURS? 61 00:02:12,030 --> 00:02:13,820 NO, BUT THERE'S BEEN 62 00:02:13,820 --> 00:02:15,900 A FEW TIMES WHERE I'M GLAD I HAD IT. 63 00:02:15,900 --> 00:02:17,270 ( sighs ) 64 00:02:17,270 --> 00:02:19,280 I'LL KEEP IT AT WORK, 65 00:02:19,280 --> 00:02:20,740 BUT IT'S NEVER COMING HOME WITH ME. 66 00:02:20,740 --> 00:02:22,160 WELL, THERE YOU GO. 67 00:02:22,160 --> 00:02:23,450 PERMIT'S INSIDE. 68 00:02:23,450 --> 00:02:26,410 THIS IS ONLY TILL WE'RE DONE WITH EAST RIVERSIDE. 69 00:02:26,410 --> 00:02:28,160 OH, YEAH, I BOOKED A DINNER WITH A MEMBER OF 70 00:02:28,160 --> 00:02:29,790 THE FOURTH CITY COUNCIL DISTRICT. 71 00:02:29,790 --> 00:02:31,000 I WANT YOU TO COME WITH ME. 72 00:02:31,000 --> 00:02:32,000 OKAY, WHEN? 73 00:02:32,000 --> 00:02:33,590 TONIGHT. 74 00:02:33,590 --> 00:02:35,250 WHAT? 75 00:02:35,250 --> 00:02:36,710 YOU SUDDENLY REMEMBERED 76 00:02:36,710 --> 00:02:38,050 YOU NEEDED THE LATINA? 77 00:02:38,050 --> 00:02:40,350 YOU'RE MY PARTNER ON THE PROJECT. 78 00:02:40,350 --> 00:02:41,350 YOU MAKE THE CASE FOR THE COMMUNITY 79 00:02:41,350 --> 00:02:43,640 BETTER THAN I EVER COULD. 80 00:02:43,640 --> 00:02:47,390 AND, FRANKLY, I COULD USE THE COMPANY. 81 00:02:48,100 --> 00:02:50,900 OKAY. FINE. 82 00:02:50,900 --> 00:02:53,150 GOOD. 83 00:02:53,150 --> 00:02:54,230 LET'S GET THE MOCKUPS. 84 00:02:54,230 --> 00:02:55,230 I'LL MEET YOU AT KandD. 85 00:02:55,230 --> 00:02:56,230 OKAY. 86 00:03:05,030 --> 00:03:07,370 OH, MY GOD. PRATT. 87 00:03:23,100 --> 00:03:25,340 HALLO?! EG ER KOMIN HEIM. 88 00:03:27,340 --> 00:03:28,810 IN ICELANDIC THAT MEANS 89 00:03:28,810 --> 00:03:30,810 "HELLO, I'M HOME!" 90 00:03:30,810 --> 00:03:32,350 WOW, HI! 91 00:03:32,350 --> 00:03:33,770 Kathryn: JOHN, WE'RE BACK! 92 00:03:35,350 --> 00:03:37,060 - HOW WAS IT? - UH! 93 00:03:37,060 --> 00:03:39,240 IT WAS EXACTLY WHAT I NEEDED. 94 00:03:39,240 --> 00:03:40,990 AWESOME. 95 00:03:40,990 --> 00:03:42,320 I THINK I LIKE THE SCRUFF? 96 00:03:42,320 --> 00:03:43,660 THANK YOU. 97 00:03:43,660 --> 00:03:45,660 DOES HE LOOK SKINNY TO YOU? 98 00:03:45,660 --> 00:03:47,070 HOW ARE YOU? 99 00:03:47,070 --> 00:03:48,070 A-OKAY. 100 00:03:51,290 --> 00:03:52,540 THIS IS UNACCEPTABLE! 101 00:03:52,540 --> 00:03:54,040 I WANNA TALK TO CHRISTY. 102 00:03:56,170 --> 00:03:58,170 TELL-- TELL HER TO CALL ME TONIGHT. 103 00:03:58,170 --> 00:03:59,180 THANKS. 104 00:04:01,590 --> 00:04:03,590 HAVE YOU SEEN MY S.A.T. STUDY BOOK? 105 00:04:03,590 --> 00:04:06,050 I-- I THINK IT WAS ON THE TABLE. 106 00:04:06,050 --> 00:04:08,390 NO, I HAD IT WITH ME WHEN I WENT DOWN TO THE CLINIC. 107 00:04:08,390 --> 00:04:10,650 OH, I HOPE I DIDN'T LEAVE IT THERE. 108 00:04:10,650 --> 00:04:13,100 SORRY. SORRY. 109 00:04:13,100 --> 00:04:14,020 WORSE TRAFFIC EVER. 110 00:04:14,020 --> 00:04:16,150 HAVE YOU SEEN MY S.A.T. BOOK? 111 00:04:16,150 --> 00:04:17,600 THE ONE THAT'S BEEN ATTACHED TO YOUR FACE ALL WEEK? 112 00:04:17,600 --> 00:04:19,240 YEAH, I CAN'T FIND IT, 113 00:04:19,240 --> 00:04:21,780 AND IT HAS ALL MY PRACTICE TESTS, ALL MY NOTES. 114 00:04:21,780 --> 00:04:23,990 ALL RIGHT, ALL RIGHT. LET'S LOOK AROUND. 115 00:04:23,990 --> 00:04:25,110 IT'S GOTTA BE HERE. 116 00:04:25,110 --> 00:04:26,110 I THINK-- 117 00:04:26,110 --> 00:04:27,490 I THINK WE ALL NEED A BREAK. 118 00:04:27,490 --> 00:04:29,370 HOW ABOUT I MAKES US DINNER TONIGHT? 119 00:04:29,370 --> 00:04:31,040 OH, SORRY. 120 00:04:31,040 --> 00:04:32,410 WES JUST ASKED ME TO JOIN HIM 121 00:04:32,410 --> 00:04:34,830 AT SOME DINNER WITH SOME CITY COUNCILWOMAN. 122 00:04:34,830 --> 00:04:36,830 DOES THIS GUY EVER TAKE A NIGHT OFF? 123 00:04:36,830 --> 00:04:40,050 I KNOW, BUT IT'S REALLY IMPORTANT. 124 00:04:40,050 --> 00:04:42,340 OKAY, BUT... WE NEED TO TALK. 125 00:04:42,340 --> 00:04:44,050 WHAT IS IT? 126 00:04:44,050 --> 00:04:45,550 KNOCK KNOCK. 127 00:04:45,550 --> 00:04:48,350 HEY, GUESS WHO JUST GOT BACK FROM ICELAND? 128 00:04:48,350 --> 00:04:49,480 TOBY'S HOME? 129 00:04:49,480 --> 00:04:50,480 YEAH. 130 00:04:50,480 --> 00:04:52,060 LET'S GO SAY HI, COME ON. 131 00:04:57,100 --> 00:04:58,190 HERE HE IS! 132 00:04:58,190 --> 00:05:00,030 - OH! - LOOK AT THE WORLD TRAVELER. 133 00:05:00,030 --> 00:05:01,150 OH, WOW, THE WHOLE WELCOMING COMMITTEE. 134 00:05:01,150 --> 00:05:02,150 WELCOME HOME. 135 00:05:02,150 --> 00:05:04,150 LOOK AT YOUR HAIR. 136 00:05:04,150 --> 00:05:06,280 BUT SERIOUSLY, WHAT'S ON YOUR FACE? 137 00:05:06,280 --> 00:05:08,370 - ( all laugh ) - WAS IT FUN? 138 00:05:08,370 --> 00:05:09,660 WASN'T IT COLD? 139 00:05:09,660 --> 00:05:11,250 YOU KNOW, THERE WASN'T A WHOLE LOT OF DAYLIGHT, 140 00:05:11,250 --> 00:05:13,120 BUT I STILL HAD A BLAST. 141 00:05:13,120 --> 00:05:14,290 THAT'S MY BOY. 142 00:05:14,290 --> 00:05:15,160 YOU CAN TELL US ALL ABOUT IT 143 00:05:15,160 --> 00:05:16,160 AT DINNER TONIGHT. 144 00:05:16,160 --> 00:05:17,750 EVERYBODY IS INVITED. 145 00:05:17,750 --> 00:05:20,380 I HAVE NO IDEA WHAT TIME ZONE I'M IN, 146 00:05:20,380 --> 00:05:21,590 BUT DINNER SOUNDS GREAT. 147 00:05:21,590 --> 00:05:23,050 EXCELLENT. I'M GONNA FIRE UP THE GRILL. 148 00:05:23,050 --> 00:05:24,130 ( chuckles ) 149 00:05:24,130 --> 00:05:26,220 UNFORTUNATELY, I HAVE A WORK THING. 150 00:05:26,220 --> 00:05:27,550 BUT I CAN STOP BY TOMORROW. 151 00:05:27,550 --> 00:05:29,310 AND I'LL BE THERE AS SOON AS I FIND 152 00:05:29,310 --> 00:05:31,850 MY STUPID S.A.T. BOOK. 153 00:05:31,850 --> 00:05:33,730 AH, THE "SADISTIC ACT OF TORTURE." 154 00:05:33,730 --> 00:05:35,310 ( exhales ) IT'S TOMORROW. 155 00:05:35,310 --> 00:05:38,310 - OHH... - AND SHE IS COMPLETELY OBSESSED 156 00:05:38,310 --> 00:05:39,360 WITH THIS MAGIC BOOK. 157 00:05:39,360 --> 00:05:41,650 WELL, IT HAS ALL THE PRACTICE TESTS. 158 00:05:41,650 --> 00:05:44,150 - SEE? - LET'S GO TO THE CLINIC. 159 00:05:44,150 --> 00:05:45,070 I'LL HELP YOU LOOK FOR IT. 160 00:05:45,070 --> 00:05:46,480 ARE YOU SURE YOU DON'T MIND? 161 00:05:46,480 --> 00:05:48,030 NO PROBLEM. WE CAN SOLVE THIS. 162 00:05:48,030 --> 00:05:50,120 ANGELO MOVED IN. 163 00:05:50,120 --> 00:05:52,120 OH. WOW. WELL, UH... 164 00:05:52,120 --> 00:05:53,660 WELCOME TO THE COMPOUND. 165 00:05:53,660 --> 00:05:55,160 - THANKS. - ALL RIGHT. 166 00:05:55,160 --> 00:05:57,750 I'VE GOTTA GO GET READY. WELCOME BACK. 167 00:05:57,750 --> 00:05:58,800 THANKS. 168 00:06:00,000 --> 00:06:01,300 - BYE. - GOOD TO SEE YOU. 169 00:06:01,300 --> 00:06:02,050 - YOU TOO, MAN. - SEE YOU. BYE. 170 00:06:02,050 --> 00:06:03,170 WELL, LOOKS TO ME 171 00:06:03,170 --> 00:06:05,300 LIKE WE'RE GONNA HAVE AN OLD-TIME 172 00:06:05,300 --> 00:06:06,460 KENNISH PARTY THEN. 173 00:06:06,460 --> 00:06:08,260 UM, I ACTUALLY... 174 00:06:08,260 --> 00:06:09,970 GOTTA GO START THIS ENGLISH LIT THING. 175 00:06:09,970 --> 00:06:12,970 BAY, COME ON. STAY WITH US. 176 00:06:12,970 --> 00:06:14,600 YOU'RE GONNA BE AT ART SCHOOL SOON. 177 00:06:14,600 --> 00:06:16,600 I MEAN, HOW MANY OF THESE TIMES 178 00:06:16,600 --> 00:06:18,350 DO WE GET TOGETHER? 179 00:06:19,860 --> 00:06:21,110 KENNISH PARTY IT IS. 180 00:06:25,780 --> 00:06:28,020 ( alarm beeping ) 181 00:06:28,020 --> 00:06:30,330 - ( beeping ) - ( alarm stops ) 182 00:06:31,660 --> 00:06:33,660 OKAY, I HAD IT AT THE DESK. 183 00:06:38,080 --> 00:06:40,500 UM, SHOULD I LOOK UPSTAIRS? 184 00:06:40,500 --> 00:06:42,380 NO, I WASN'T UP THERE. 185 00:06:42,380 --> 00:06:43,630 ( quietly ) WHERE IS IT? 186 00:06:45,750 --> 00:06:47,340 HEY. 187 00:06:47,340 --> 00:06:50,220 WHY ARE YOU TAKING THIS TEST AGAIN? 188 00:06:50,220 --> 00:06:51,640 I THOUGHT YOU HAD A GOOD SCORE. 189 00:06:51,640 --> 00:06:53,470 I NEED AN INCREDIBLE SCORE 190 00:06:53,470 --> 00:06:56,050 IF I'M GONNA GET IN TO ONE OF THESE PREMED PROGRAMS. 191 00:06:56,050 --> 00:06:59,270 YOU'VE BEEN STUDYING SO HARD. 192 00:06:59,270 --> 00:07:01,520 MAYBE IT'S TIME TO TAKE A REST. 193 00:07:01,520 --> 00:07:03,770 BUT I KEEP MAKING MISTAKES. 194 00:07:03,770 --> 00:07:06,020 I GO OVER IT AND I GO OVER IT... 195 00:07:06,020 --> 00:07:06,980 WHAT IS THIS? 196 00:07:06,980 --> 00:07:09,120 WHAT'S GOING ON? 197 00:07:09,120 --> 00:07:10,370 ( sighs ) 198 00:07:13,990 --> 00:07:16,240 MY MOM AND GRANDMA 199 00:07:16,240 --> 00:07:17,660 AND JOHN AND KATHRYN 200 00:07:17,660 --> 00:07:21,380 KEEP BRAGGING ABOUT WHAT A GREAT DOCTOR I'M GONNA BE. 201 00:07:23,380 --> 00:07:26,130 BUT WHAT IF I CAN'T EVEN GET IN? 202 00:07:26,130 --> 00:07:28,080 WHAT IF I LET EVERYONE DOWN? 203 00:07:28,080 --> 00:07:30,510 YOU'RE NOT GONNA LET US DOWN. 204 00:07:32,090 --> 00:07:34,260 YOU NEED TO GET OUT OF YOUR HEAD. 205 00:07:34,260 --> 00:07:35,550 IT'S LIKE ME WITH MY GOLF SWING. 206 00:07:37,220 --> 00:07:39,980 JUST LET GO AND FORGET EVERYTHING. 207 00:07:45,600 --> 00:07:47,100 IT'S NOT HERE. 208 00:07:49,070 --> 00:07:50,570 I'M TOTALLY SCREWED. 209 00:07:52,910 --> 00:07:55,160 I HAVE AN IDEA. 210 00:07:55,160 --> 00:07:56,240 COME. 211 00:07:56,240 --> 00:07:58,490 WHERE ARE WE GOING? 212 00:07:58,490 --> 00:07:59,620 JUST TRUST ME, COME. 213 00:08:06,250 --> 00:08:09,260 SO THIS IS THE BRAND-NEW MUSIC HALL IN REYKJAVIK. 214 00:08:09,260 --> 00:08:11,390 - WHO'S THAT? - UH, THAT'S HALLFRIDUR. 215 00:08:11,390 --> 00:08:12,390 SHE WORKED AT THIS COFFEE SHOP 216 00:08:12,390 --> 00:08:13,550 THAT I SPENT A LOT OF TIME AT. 217 00:08:13,550 --> 00:08:15,010 OH, SO YOU MADE SOME FRIENDS. 218 00:08:15,010 --> 00:08:17,090 UH, YEAH. A FEW. 219 00:08:17,090 --> 00:08:18,510 - HUH. - OH, AND THIS IS A WATERFALL 220 00:08:18,510 --> 00:08:20,310 I FOUND JUST WHILE I WAS DRIVING. 221 00:08:20,310 --> 00:08:22,850 Toby: IT'S LIKE ONE BEAUTIFUL THING AFTER ANOTHER. 222 00:08:22,850 --> 00:08:25,600 AND NOT ANOTHER HUMAN BEING FOR MILES IN ANY DIRECTION. 223 00:08:26,730 --> 00:08:28,230 SOUNDS KINDA LONELY. 224 00:08:28,230 --> 00:08:29,570 IT WASN'T. 225 00:08:29,570 --> 00:08:31,410 OR IT WAS, BUT IN A GOOD WAY. 226 00:08:31,410 --> 00:08:32,450 I MEAN, 227 00:08:32,450 --> 00:08:34,860 AFTER ALL THE STUFF WITH NIKKI... 228 00:08:34,860 --> 00:08:36,490 UM, 229 00:08:36,490 --> 00:08:38,750 JUST KINDA FELT LIKE I FOUND MYSELF AGAIN. 230 00:08:38,750 --> 00:08:39,920 THAT'S GREAT, HONEY. 231 00:08:39,920 --> 00:08:42,420 MAYBE I NEED TO GO TO ICELAND. 232 00:08:42,420 --> 00:08:43,080 ( Kathryn chuckles softly ) 233 00:08:43,080 --> 00:08:45,500 OH, THIS. 234 00:08:45,500 --> 00:08:46,750 THIS WAS THE MOST 235 00:08:46,750 --> 00:08:48,040 UNBELIEVABLE NIGHT. 236 00:08:48,040 --> 00:08:49,630 SO ALL THESE TOUR GROUPS GO OUT TO TRY TO FIND 237 00:08:49,630 --> 00:08:51,010 THE NORTHERN LIGHTS. 238 00:08:51,010 --> 00:08:53,090 I WENT OUT BY MYSELF, COULDN'T FIND ANYTHING. 239 00:08:53,090 --> 00:08:54,510 AND I'M ON MY WAY BACK, 240 00:08:54,510 --> 00:08:56,090 SEE THIS BUS ON THE SIDE OF THE ROAD, 241 00:08:56,090 --> 00:08:57,970 ASK THE GUY, "HEY, YOU LOOKING FOR THE NORTHERN LIGHTS?" 242 00:08:57,970 --> 00:08:59,890 HE SAYS, "LOOK UP." AND... 243 00:09:01,140 --> 00:09:02,390 ( upbeat music playing ) 244 00:09:02,390 --> 00:09:03,390 ( gasps ) 245 00:09:03,390 --> 00:09:04,770 YOU MADE A VIDEO? 246 00:09:04,770 --> 00:09:06,230 THAT'S AMAZING. 247 00:09:06,230 --> 00:09:07,770 IT'S ACTUALLY TIME LAPSED. 248 00:09:07,770 --> 00:09:09,650 IT'S A LOT SLOWER IN REAL LIFE, 249 00:09:09,650 --> 00:09:11,360 BUT EVEN MORE BEAUTIFUL. 250 00:09:11,360 --> 00:09:12,690 LOOK AT THAT GREEN. 251 00:09:12,690 --> 00:09:14,610 VIKING LEGEND IS THAT THE LIGHTS WERE VALKYRIES, 252 00:09:14,610 --> 00:09:16,650 THESE VIRGIN GODDESSES THAT WOULD 253 00:09:16,650 --> 00:09:18,830 TAKE THE SPIRITS OF THE FALLEN WARRIORS UP TO HEAVEN. 254 00:09:18,830 --> 00:09:20,830 SO ARE THE VALKYRIES RESPONSIBLE 255 00:09:20,830 --> 00:09:24,660 FOR THIS WEIRD TECHNO-POP WE'RE LISTENING TO RIGHT NOW? 256 00:09:24,660 --> 00:09:26,660 UH, ACTUALLY, I PUT THAT TOGETHER. 257 00:09:28,630 --> 00:09:29,670 OH. 258 00:09:29,670 --> 00:09:31,090 WAIT, THAT'S YOU? 259 00:09:31,090 --> 00:09:33,090 YEAH, THERE'S THIS WHOLE DJ SCENE OVER THERE. 260 00:09:33,090 --> 00:09:35,050 YOU KNOW, I TRIED IT ONE NIGHT, 261 00:09:35,050 --> 00:09:36,590 AND IT WAS SO MUCH FUN. 262 00:09:36,590 --> 00:09:38,210 COUNTRY KINDA OPENED ME UP. 263 00:09:38,210 --> 00:09:39,270 ( music stops ) 264 00:09:39,270 --> 00:09:41,850 SO, HOW'S THE STUFF WITH YOU? 265 00:09:41,850 --> 00:09:43,220 I MEAN, WITH YOUR HAND. 266 00:09:43,220 --> 00:09:45,220 OH, UH-- HEH. 267 00:09:45,220 --> 00:09:46,560 NEVER BETTER. 268 00:09:48,100 --> 00:09:49,150 I ACTUALLY NEED TO GET STARTED 269 00:09:49,150 --> 00:09:50,150 ON THIS ENGLISH LIT THING, 270 00:09:50,150 --> 00:09:51,860 - SO, UH... - OH, YEAH YEAH. 271 00:09:51,860 --> 00:09:53,360 - GO, HONEY. - THANK YOU. 272 00:09:55,860 --> 00:09:57,860 ( knocks on door ) 273 00:10:08,040 --> 00:10:10,050 OKAY, WHAT'S UP? 274 00:10:12,670 --> 00:10:14,670 I DIDN'T GET INTO PRATT. 275 00:10:16,090 --> 00:10:17,250 WHAT? 276 00:10:17,250 --> 00:10:18,720 HOW IS THAT EVEN POSSIBLE? 277 00:10:18,720 --> 00:10:22,470 APPARENTLY I'M UNEXCEPTIONAL. 278 00:10:22,470 --> 00:10:24,260 ( sighs ) 279 00:10:24,260 --> 00:10:26,520 THAT'S CRAZY. 280 00:10:30,270 --> 00:10:31,530 DID YOU TELL MOM AND DAD? 281 00:10:34,110 --> 00:10:36,070 I JUST GOT THE LETTER. 282 00:10:36,070 --> 00:10:37,320 THEY SENT THE E-MAIL ON MONDAY 283 00:10:37,320 --> 00:10:38,830 AND IT WENT TO SPAM, 284 00:10:38,830 --> 00:10:40,040 SO, YOU KNOW, 285 00:10:40,040 --> 00:10:41,330 MY WHOLE WORLD ENDED FOUR DAYS AGO, 286 00:10:41,330 --> 00:10:43,160 AND I DIDN'T EVEN KNOW IT. 287 00:10:43,160 --> 00:10:45,910 BAY, YOUR WORLD DID NOT END. 288 00:10:45,910 --> 00:10:47,580 IT WAS ONE PLACE. 289 00:10:47,580 --> 00:10:49,340 THEY DON'T GET TO SAY WHAT YOU ARE. 290 00:10:49,340 --> 00:10:50,340 THE ONLY PERSON THAT GETS TO SAY THAT 291 00:10:50,340 --> 00:10:51,670 YOU'RE AN ARTIST IS YOU. 292 00:10:51,670 --> 00:10:54,170 I'LL BE SURE TO PUT THAT ON MY JOB APPLICATION 293 00:10:54,170 --> 00:10:55,000 AT THE COFFEE PALACE. 294 00:10:55,000 --> 00:10:56,630 OH, COME ON. 295 00:10:56,630 --> 00:10:59,140 WHERE'S YOUR VALKYRIE SPIRIT? 296 00:10:59,140 --> 00:11:00,140 HEY. 297 00:11:02,010 --> 00:11:03,300 YOU NEED TO GET ANGRY. 298 00:11:03,300 --> 00:11:05,350 YOU NEED TO PROVE TO THEM THAT THEY'RE WRONG. 299 00:11:05,350 --> 00:11:06,350 DON'T YOU THINK THEY'RE WRONG? 300 00:11:06,350 --> 00:11:08,140 ( quietly ) I DON'T KNOW. 301 00:11:08,140 --> 00:11:10,230 OF COURSE THEY'RE WRONG! PRATT SUCKS! 302 00:11:10,230 --> 00:11:12,230 PRATT NEEDS TO FEEL THE WRATH OF HAMMER GIRL. 303 00:11:12,230 --> 00:11:13,270 YOU WITH ME? 304 00:11:13,270 --> 00:11:15,310 ( weakly ) GRR. 305 00:11:15,310 --> 00:11:17,150 WELL, THAT'S A START. 306 00:11:18,990 --> 00:11:20,660 ( snaps fingers ) COME ON. 307 00:11:20,660 --> 00:11:22,280 GET UP. 308 00:11:22,280 --> 00:11:23,820 "COME ON," WHAT? 309 00:11:23,820 --> 00:11:26,580 WE ARE GONNA DO SOME STREET ART. 310 00:11:26,580 --> 00:11:30,630 OKAY, I'M GLAD THAT ICELAND WAS GREAT FOR YOU, 311 00:11:30,630 --> 00:11:32,880 AND MAYBE IF I WENT THERE, I'D FEEL THAT WAY TOO, 312 00:11:32,880 --> 00:11:35,330 - BUT-- - BAY, YOU DON'T HAVE ICELAND. 313 00:11:35,330 --> 00:11:37,590 YOU HAVE HAMMER GIRL. 314 00:11:37,590 --> 00:11:38,630 AND ME. 315 00:11:44,800 --> 00:11:45,800 Angelo: WELCOME TO MY RESTAURANT. 316 00:11:54,440 --> 00:11:56,440 IS ALL OF THIS NEW? 317 00:11:58,310 --> 00:12:01,120 YOU'RE THE FIRST ONE TO COOK HERE. 318 00:12:01,120 --> 00:12:02,700 OHH. 319 00:12:02,700 --> 00:12:06,030 IT'S LIKE WALKING ON FRESH SNOW. 320 00:12:06,030 --> 00:12:07,530 I KNOW. 321 00:12:09,130 --> 00:12:12,370 I GUESS I COULD TAKE A LITTLE STUDY BREAK. 322 00:12:12,370 --> 00:12:14,750 BUT, UH, WHAT SHOULD WE MAKE? 323 00:12:14,750 --> 00:12:18,130 EVERY SUMMER GROWING UP MY WHOLE FAMILY 324 00:12:18,130 --> 00:12:20,720 USED TO GO TO THIS LITTLE VILLAGE IN BRITTANY. 325 00:12:20,720 --> 00:12:23,840 THERE'S THIS HOUSE ON THE BEACH. 326 00:12:23,840 --> 00:12:25,720 MUST BE IN MY FAMILY FOR-- 327 00:12:25,720 --> 00:12:28,220 HOW DO YOU SIGN "GENERATIONS"? 328 00:12:31,810 --> 00:12:33,060 SO, EVERY SUNDAY 329 00:12:33,060 --> 00:12:37,060 MY GRANDMOTHER USED TO MAKE THIS LEMON CAKE... 330 00:12:38,820 --> 00:12:42,860 IT WAS LIKE A LITTLE SLICE OF HEAVEN. 331 00:12:42,860 --> 00:12:44,860 I GOT HER TO TELL ME THE RECIPE, 332 00:12:44,860 --> 00:12:48,070 BUT EVERY TIME I MAKE IT, IT'S... 333 00:12:49,290 --> 00:12:51,000 PARADISE LOST. 334 00:12:51,000 --> 00:12:53,870 NICE. 335 00:12:53,870 --> 00:12:56,080 MAYBE IT'S THE FLOUR. 336 00:12:56,080 --> 00:12:57,620 IT'S DIFFERENT OVER THERE. 337 00:12:57,620 --> 00:13:00,840 NO, I ORDERED THE FLOUR. EVEN GOT THE BEST FRENCH BUTTER. 338 00:13:00,840 --> 00:13:03,590 SOMETHING ELSE. 339 00:13:03,590 --> 00:13:07,090 WELL, WE HAVE ENOUGH FOR FIVE CAKES? 340 00:13:07,090 --> 00:13:09,690 - I THINK SO. - GOOD. 341 00:13:09,690 --> 00:13:12,190 WE'LL KEEP TRACK OF ALL THE DIFFERENT VARIATIONS. 342 00:13:12,190 --> 00:13:13,850 CAN YOU TAKE NOTES? 343 00:13:13,850 --> 00:13:15,190 I AM YOUR SOUS-CHEF. 344 00:13:16,520 --> 00:13:18,770 THIS IS GONNA BE FUN. 345 00:13:18,770 --> 00:13:22,700 AND THEN AFTER, IT'S BACK TO THE BOOK HUNT. 346 00:13:22,700 --> 00:13:24,820 DEFINITELY. 347 00:13:29,040 --> 00:13:31,040 STOP WHAT YOU'RE DOING. I HAVE A NEW IDEA. 348 00:13:32,830 --> 00:13:34,120 - UH, OKAY. - OKAY. 349 00:13:34,120 --> 00:13:35,750 SO THAT WHOLE THING YOU SAID ABOUT THE VALKYRIES 350 00:13:35,750 --> 00:13:37,120 TAKING THE WARRIORS UP TO HEAVEN-- 351 00:13:37,120 --> 00:13:39,090 THOSE AMAZING LIGHTS-- WELL, THAT'S EXACTLY 352 00:13:39,090 --> 00:13:41,510 WHAT WERE GONNA DO WITH THIS. 353 00:13:41,510 --> 00:13:43,510 MOM'S OLD SNOW PROJECTOR? 354 00:13:43,510 --> 00:13:45,260 WE'RE GONNA CUT OUT SOME WAVE PATTERNS 355 00:13:45,260 --> 00:13:47,090 TO PUT OVER THE LENSES, AND THEN WE'RE GONNA DRIZZLE 356 00:13:47,090 --> 00:13:49,850 STAINED GLASS PAINT ONTO THE PLEXIGLAS. 357 00:13:49,850 --> 00:13:52,810 ( gasps ) OH, OR MAYBE COLORED CELLOPHANE. 358 00:13:52,810 --> 00:13:54,810 I DON'T KNOW YET. ANYWAY, WE'RE GONNA TURN ON THE LIGHTS, 359 00:13:54,810 --> 00:13:56,810 AND THEN THE SHAPES ARE GONNA CREATE THIS, LIKE, 360 00:13:56,810 --> 00:13:58,850 MOVING, DANCING LIGHT PATTERN. 361 00:13:58,850 --> 00:14:00,440 THE NORTHERN LIGHTS. 362 00:14:00,440 --> 00:14:01,690 BRINGING THE MAGIC BACK HOME. 363 00:14:01,690 --> 00:14:02,860 I'M IN! 364 00:14:02,860 --> 00:14:04,570 GREAT. OKAY. YOU CUT YOU SOME SHAPES, 365 00:14:04,570 --> 00:14:06,440 I WILL SKETCH THEM. 366 00:14:06,440 --> 00:14:08,950 HEY, YOU GUYS. 367 00:14:08,950 --> 00:14:10,990 DAD'S BRINGING OUT THE KARAOKE MACHINE, 368 00:14:10,990 --> 00:14:13,040 SO... 369 00:14:15,950 --> 00:14:17,790 UH, WHAT'S GOING ON? 370 00:14:17,790 --> 00:14:20,050 UH... 371 00:14:20,050 --> 00:14:22,710 WE WERE JUST SEEING IF THIS OLD THING STILL WORKED. 372 00:14:22,710 --> 00:14:24,710 MY SNOW PROJECTOR? 373 00:14:24,710 --> 00:14:27,380 YEAH, YOU KNOW, TO-- TO GO ALONG WITH MY... 374 00:14:27,380 --> 00:14:29,100 "WEIRD TECHNO MUSIC." 375 00:14:29,100 --> 00:14:31,930 ( mimics techno music ) 376 00:14:31,930 --> 00:14:33,180 IT'S NOT FOR HIM, IT'S FOR ME. 377 00:14:35,970 --> 00:14:37,510 I'M DOING AN ART PIECE. 378 00:14:37,510 --> 00:14:40,020 AND IT KINDA MIGHT BE BORDERLINE ILLEGAL, 379 00:14:40,020 --> 00:14:41,610 - BUT IT IS GONNA BE TOTALLY BEAUTIFUL. - ( sighs ) 380 00:14:41,610 --> 00:14:43,190 AND NOTHING'S GONNA GET DAMAGED, 381 00:14:43,190 --> 00:14:45,110 AND I PROMISE WE WILL BE SAFE. 382 00:14:47,940 --> 00:14:49,830 I'M GONNA HAVE TO TELL YOUR DAD 383 00:14:49,830 --> 00:14:51,990 THAT... 384 00:14:53,240 --> 00:14:55,580 WE'RE ALL GOING FOR ICE CREAM. 385 00:14:55,580 --> 00:14:58,080 "WE"? 386 00:14:58,080 --> 00:14:59,840 DO YOU KNOW HOW MANY FUNDRAISERS 387 00:14:59,840 --> 00:15:02,000 I ORGANIZE TO SUPPORT THE ARTS? 388 00:15:02,000 --> 00:15:04,540 THIS IS WAY MORE FUN. 389 00:15:04,540 --> 00:15:06,630 I'LL DRIVE. SHH. 390 00:15:08,630 --> 00:15:10,600 GOTTA LOVE THE NEW KATHRYN KENNISH. 391 00:15:13,930 --> 00:15:16,260 DAMN, SHE BEAT US. 392 00:15:16,260 --> 00:15:18,350 - ( patrons chattering ) - ( soft piano music playing ) 393 00:15:18,350 --> 00:15:20,320 HOW DO I LOOK? 394 00:15:20,320 --> 00:15:21,610 READY FOR BATTLE. 395 00:15:21,610 --> 00:15:23,320 OH, WAIT, HOLD ON. 396 00:15:26,190 --> 00:15:27,440 THANKS. 397 00:15:31,780 --> 00:15:34,280 TAMMY, GREAT TO SEE YOU. 398 00:15:34,280 --> 00:15:35,780 FINALLY FIGURED OUT I HAD TO GET HERE 399 00:15:35,780 --> 00:15:37,370 20 MINUTES EARLY IF I WAS GONNA BEAT YOU. 400 00:15:37,370 --> 00:15:38,700 HA, YOU'RE ON TO ME. 401 00:15:38,700 --> 00:15:40,790 REGINA VASQUEZ, TAMMY BRENAWICZ, 402 00:15:40,790 --> 00:15:42,130 FOURTH DISTRICT CITY COUNCIL. 403 00:15:42,130 --> 00:15:44,080 IT'S AN HONOR TO MEET YOU, COUNCILWOMAN. 404 00:15:44,080 --> 00:15:46,080 OH, TAMMY, PLEASE. 405 00:15:46,080 --> 00:15:47,710 I HOPE YOU DON'T MIND, BUT I INVITED 406 00:15:47,710 --> 00:15:49,590 A NEW MEMBER OF THE CHAMBER OF COMMERCE, 407 00:15:49,590 --> 00:15:53,090 AND HE'S GOT A GREAT DEAL OF INTEREST IN YOUR PROJECT. 408 00:15:54,220 --> 00:15:56,970 CHIP COTO. GREAT TO MEET YOU. 409 00:15:59,440 --> 00:16:00,860 AND YOU. 410 00:16:00,860 --> 00:16:03,100 I WISH YOU'D WARN ME ABOUT YOUR PARTNER, WES. 411 00:16:03,100 --> 00:16:04,270 SHE'S A STUNNER. 412 00:16:06,020 --> 00:16:07,520 SHE'S MY SECRET WEAPON. 413 00:16:07,520 --> 00:16:08,730 HA... 414 00:16:08,730 --> 00:16:10,200 SIT, PLEASE. 415 00:16:10,200 --> 00:16:12,700 OH. 416 00:16:12,700 --> 00:16:14,450 THANK YOU. 417 00:16:23,080 --> 00:16:24,540 SO, BY THE END OF SUMMER, 418 00:16:24,540 --> 00:16:25,830 THURSDAYS HAD BECOME LIKE A SUPPORT GROUP 419 00:16:25,830 --> 00:16:27,420 FOR ALL THE MOMS THAT WERE TRYING TO MOVE UP. 420 00:16:27,420 --> 00:16:29,430 I WOULD DO HAIR FOR JOB INTERVIEWS, 421 00:16:29,430 --> 00:16:30,590 ANJELICA WOULD DO RESUMES. 422 00:16:30,590 --> 00:16:32,760 I ALWAYS SAY YOU CAN'T KEEP A LATINA DOWN. 423 00:16:32,760 --> 00:16:35,800 YOU SEE, THAT IS WHAT I LOVE ABOUT EAST RIVERSIDE. 424 00:16:35,800 --> 00:16:37,550 THAT FIGHTING SPIRIT, EVERYBODY COMING TOGETHER. 425 00:16:37,550 --> 00:16:40,140 AND THAT'S WHAT WE WANNA PRESERVE AS WE MOVE FORWARD. 426 00:16:40,140 --> 00:16:42,400 WORKING WITH LOCAL GOVERNMENT TO PROTECT LOW-INCOME HOUSING. 427 00:16:42,400 --> 00:16:44,810 WE LOVE COOPERATION. THAT'S WHY I CAME TO TAMMY, 428 00:16:44,810 --> 00:16:46,730 TO FORGE ALLIANCES WITH BUSINESSES THAT 429 00:16:46,730 --> 00:16:48,560 LOVE PROGRESS AS MUCH AS WE DO. 430 00:16:48,560 --> 00:16:51,150 YOU'VE BEEN WORKING WITH CUTLER CONSTRUCTION IN DENVER, IS THAT RIGHT? 431 00:16:51,150 --> 00:16:53,570 - PAST FEW PROJECTS, YEAH. - THINK ABOUT THIS. 432 00:16:53,570 --> 00:16:56,780 65% OF ALL COMMERCIAL DEVELOPMENT IN K.C. 433 00:16:56,780 --> 00:16:58,200 THIS YEAR ALONE. 434 00:16:58,200 --> 00:17:00,500 THAT'S WHAT FRONTIER CONSTRUCTION'S DONE WITH US. 435 00:17:00,500 --> 00:17:02,160 YOU KNOW WHAT YOU GET WITH THAT KIND OF VOLUME? 436 00:17:02,160 --> 00:17:03,160 EASE. 437 00:17:03,160 --> 00:17:05,160 THEY KNOW US, WE KNOW THEM. 438 00:17:05,160 --> 00:17:07,500 GETS ALL THAT PAPERWORK RIGHT TO THE TOP OF THE PILE. 439 00:17:07,500 --> 00:17:08,920 DOORS OPEN ON COMMAND. 440 00:17:11,340 --> 00:17:12,720 ACTUALLY, I'M SORRY. 441 00:17:12,720 --> 00:17:16,760 I THINK I LEFT MY PHONE IN YOUR CAR. 442 00:17:16,760 --> 00:17:18,470 SORRY, I NEED TO KEEP IN TOUCH WITH MY FAMILY. 443 00:17:18,470 --> 00:17:20,810 OF COURSE. 444 00:17:20,810 --> 00:17:22,440 - THERE YOU GO. - ( exhales ) 445 00:17:22,440 --> 00:17:24,140 ACTUALLY, CAN YOU COME WITH? 446 00:17:24,140 --> 00:17:25,480 I DON'T WANNA SET OFF THAT ALARM AGAIN. 447 00:17:27,640 --> 00:17:29,650 SURE. EXCUSE US. 448 00:17:29,650 --> 00:17:31,530 ( mouths ) 449 00:17:31,530 --> 00:17:33,280 ( clears throat ) 450 00:17:37,320 --> 00:17:39,700 HEY, WHAT IS GOING ON? 451 00:17:39,700 --> 00:17:41,080 I'M SORRY TO PULL THE RIPCORD, 452 00:17:41,080 --> 00:17:43,040 BUT THAT CHAMBER OF COMMERCE GUY-- 453 00:17:43,040 --> 00:17:45,080 MY DAUGHTER WORKED WITH HIM AT THE SENATE OFFICE. 454 00:17:45,080 --> 00:17:47,660 SHE FOUND OUT HE WAS SLEEPING WITH HIS INTERN. 455 00:17:49,420 --> 00:17:50,760 AND? 456 00:17:50,760 --> 00:17:52,090 AND... 457 00:17:52,090 --> 00:17:54,710 SHE KIND OF GOT HIM FIRED. 458 00:17:54,710 --> 00:17:56,300 ( exhales ) WAIT, WHAT? 459 00:17:56,300 --> 00:17:58,710 TECHNICALLY HE RESIGNED. 460 00:17:58,710 --> 00:18:00,430 AFTER SHE BLACKMAILED HIM. 461 00:18:00,430 --> 00:18:02,390 ( sighs ) ARE YOU KIDDING ME? 462 00:18:02,390 --> 00:18:04,680 THE GUY IS A TOTAL SLEAZE. 463 00:18:04,680 --> 00:18:05,810 AND I DON'T KNOW WHAT HE'S TRYING TO PULL WITH 464 00:18:05,810 --> 00:18:07,220 THIS WHOLE CONSTRUCTION COMPANY THING. 465 00:18:07,220 --> 00:18:09,690 HE LOOKING FOR A KICKBACK AND SO IS TAMMY. 466 00:18:09,690 --> 00:18:10,900 THAT'S WHAT I THOUGHT. 467 00:18:10,900 --> 00:18:12,150 WE GOTTA GET OUT OF THIS. 468 00:18:12,150 --> 00:18:14,280 NOT IF WE WANT OUR PROJECT TO HAPPEN. 469 00:18:14,280 --> 00:18:15,650 BUT THAT'S ILLEGAL. 470 00:18:15,650 --> 00:18:18,320 IT'S HOW THINGS GET DONE, REGINA. 471 00:18:19,450 --> 00:18:21,830 DO YOU THINK THAT HE RECOGNIZED YOU? 472 00:18:21,830 --> 00:18:22,450 I DON'T THINK SO. 473 00:18:22,450 --> 00:18:25,080 OKAY. GOOD. 474 00:18:25,080 --> 00:18:26,910 WAIT, WHAT ARE YOU GONNA DO? 475 00:18:26,910 --> 00:18:28,410 YOU GONNA GO BACK IN THERE AND CLOSE THIS DEAL? 476 00:18:28,410 --> 00:18:30,010 DO YOU WANNA TAKE A STAND 477 00:18:30,010 --> 00:18:31,710 OR DO YOU WANNA MAKE THINGS BETTER FOR EAST RIVERSIDE? 478 00:18:31,710 --> 00:18:34,050 I WANT THINGS TO BE LEGAL. 479 00:18:34,050 --> 00:18:37,090 WELL, THAT'S A GRAY AREA. 480 00:18:37,090 --> 00:18:39,560 IF CERTAIN THINGS AREN'T SAID OUT LOUD, 481 00:18:39,560 --> 00:18:40,850 TECHNICALLY WE'RE OKAY. 482 00:18:40,850 --> 00:18:43,930 IF THAT'S WHAT YOU NEED TO TELL YOURSELF. 483 00:18:43,930 --> 00:18:45,930 ( sighs ) 484 00:18:57,730 --> 00:18:59,780 OOH, HOT HOT HOT HOT HOT. 485 00:18:59,780 --> 00:19:01,040 LOOKS GOOD. 486 00:19:01,040 --> 00:19:02,540 THIS ONE'S READY. 487 00:19:04,540 --> 00:19:06,540 SO, UH... 488 00:19:06,540 --> 00:19:08,950 NANA PUT PINE NUTS ON TOP, LIKE FLOWERS. 489 00:19:08,950 --> 00:19:11,000 AWW. 490 00:19:11,000 --> 00:19:13,550 GET TO IT. 491 00:19:13,550 --> 00:19:14,590 OUI, CHEF. 492 00:19:14,590 --> 00:19:16,590 ( chuckles ) 493 00:19:18,460 --> 00:19:19,470 WHAT WAS SHE LIKE? 494 00:19:19,470 --> 00:19:21,010 NANA? 495 00:19:22,220 --> 00:19:24,260 LITTLE FRENCH WIDOW, THIS HIGH, 496 00:19:24,260 --> 00:19:26,930 DRESSED IN BLACK, BUT CRAZY. 497 00:19:26,930 --> 00:19:28,760 - ( laughs ) - SHE USED TO RIDE AROUND 498 00:19:28,760 --> 00:19:30,480 IN A SCOOTER, AND YELL AT ALL THE NUNS 499 00:19:30,480 --> 00:19:31,810 IF THEY WERE IN HER WAY. 500 00:19:31,810 --> 00:19:34,020 "ALLEZ, ALLEZ LES VIELLES, DEGAGEZ, DEGAGEZ!" 501 00:19:34,020 --> 00:19:37,270 ( both laugh ) 502 00:19:37,270 --> 00:19:39,410 I'D LOVE TO SEE IT SOMEDAY. 503 00:19:39,410 --> 00:19:41,030 I'VE NEVER BEEN OUT OF THE COUNTRY. 504 00:19:41,030 --> 00:19:42,660 NO? 505 00:19:43,490 --> 00:19:45,490 WE GO. NEXT SUMMER. 506 00:19:45,490 --> 00:19:46,700 ALL OF US. 507 00:19:46,700 --> 00:19:48,660 YEAH? 508 00:20:15,650 --> 00:20:17,520 WHAT IS IT? 509 00:20:17,520 --> 00:20:20,660 IT'S MY GRANDMOTHER'S CAKE. 510 00:20:20,660 --> 00:20:21,660 REALLY? 511 00:20:21,660 --> 00:20:24,570 OH, MY GOD, YOU-- YOU DID IT. 512 00:20:24,570 --> 00:20:26,030 IT'S LIKE A TIME MACHINE. 513 00:20:26,030 --> 00:20:27,530 YES! 514 00:20:27,530 --> 00:20:29,030 WHICH ONE IS THAT? 515 00:20:29,030 --> 00:20:31,580 OH. 516 00:20:33,040 --> 00:20:35,500 UM... 517 00:20:35,500 --> 00:20:37,460 WAIT, MAYBE... 518 00:20:37,460 --> 00:20:39,000 MAYBE THIS ONE. I'M NOT SURE. 519 00:20:39,000 --> 00:20:41,010 ( laughs ) 520 00:20:41,010 --> 00:20:43,470 ANGELO, YOU WERE SUPPOSED TO BE TAKING NOTES! 521 00:20:43,470 --> 00:20:45,470 WELL, THIS IS NOT MY TALENT. 522 00:20:45,470 --> 00:20:46,590 YOU ARE THE SCIENCE ONE. 523 00:20:46,590 --> 00:20:49,650 - YOU AGREED-- - LOOK... 524 00:20:49,650 --> 00:20:51,770 THE POINT OF ALL THIS-- 525 00:20:51,770 --> 00:20:54,650 WHEN YOU ARE NOT THINKING ABOUT IT, 526 00:20:54,650 --> 00:20:56,980 YOU TOTALLY GOT IT. RIGHT? 527 00:20:58,730 --> 00:21:01,490 STOP TRYING TO MAKE THIS ABOUT THE S.A.T. 528 00:21:01,490 --> 00:21:03,400 AND GIVE ME SOME OF THAT CAKE. 529 00:21:05,490 --> 00:21:06,700 YOU'RE GONNA DO GREAT ON THIS TEST. 530 00:21:08,530 --> 00:21:11,290 JUST LET GO AND SWING. 531 00:21:12,410 --> 00:21:14,410 - MM. - ( cell phone ringing ) 532 00:21:18,210 --> 00:21:19,250 I HAVE TO TAKE THIS. 533 00:21:22,590 --> 00:21:25,590 HEY, CHRISTY... 534 00:21:25,590 --> 00:21:26,840 ( door closes ) 535 00:21:44,820 --> 00:21:46,820 ( inaudible ) 536 00:21:53,580 --> 00:21:54,830 WAIT, DID YOU GET THE GOBOS? 537 00:21:54,830 --> 00:21:57,330 YEAH, THEY'RE IN THE TRUNK. 538 00:21:57,330 --> 00:21:59,460 OKAY, YOU GUYS GET STARTED. I'LL SWEEP THE PERIMETER. 539 00:21:59,460 --> 00:22:00,800 - OKAY? - CHECK. 540 00:22:00,800 --> 00:22:03,550 TEXT US IF YOU SEE ANY FIVE-O. 541 00:22:03,550 --> 00:22:06,420 I THOUGHT WE WERE DOING STREET SLANG. 542 00:22:06,420 --> 00:22:07,510 CAN YOU SCOPE OUT A POWER SOURCE? 543 00:22:07,510 --> 00:22:09,600 I GOT LIKE 100 FEET OF CORD IN HERE. 544 00:22:09,600 --> 00:22:11,560 OKAY. LOOK FOR THE FIVE-O, 545 00:22:11,560 --> 00:22:12,810 SCOPE OUT THE JUICE. 546 00:22:12,810 --> 00:22:14,390 I CAN'T WAIT TO TELL RENZO ABOUT THIS. 547 00:22:14,390 --> 00:22:16,470 WHY ARE WE SO WORRIED ABOUT COPS? 548 00:22:16,470 --> 00:22:17,930 IT'S NOT LIKE WE'RE DOING ANYTHING WRONG. 549 00:22:17,930 --> 00:22:20,740 UH, UNLESS YOU COUNT TRESPASSING. 550 00:22:20,740 --> 00:22:22,320 YOU COULD PICK A PLACE A LITTLE BIT MORE UNDER THE RADAR? 551 00:22:22,320 --> 00:22:23,980 THAT'S THE POINT. IT'S AN ART CENTER. 552 00:22:23,980 --> 00:22:25,480 SHOWING THE ESTABLISHED POWERS-THAT-BE 553 00:22:25,480 --> 00:22:27,240 THAT I WILL NOT BE DEFEATED OR EXCLUDED. 554 00:22:27,240 --> 00:22:29,410 - I AM A VALKYRIE! - GREAT, SO, IF WE 555 00:22:29,410 --> 00:22:31,660 RUN INTO ANY SECURITY, WE'LL JUST VANQUISH THEM. 556 00:22:31,660 --> 00:22:33,410 OR CALL DAD. 557 00:22:35,660 --> 00:22:39,590 THERE YOU ARE, MY BEAUTIFUL BLANK CANVAS. 558 00:22:39,590 --> 00:22:42,500 YOU KNOW, IT REALLY IS A BUMMER ABOUT YOU AND TANK. 559 00:22:42,500 --> 00:22:44,800 I RECOMMEND INTERNATIONAL TRAVEL. 560 00:22:44,800 --> 00:22:47,260 I, UH, ACTUALLY ALREADY... 561 00:22:47,260 --> 00:22:49,000 GOT BACK TOGETHER WITH EMMETT. 562 00:22:49,000 --> 00:22:52,180 THE WHOLE THING WAS KIND OF A MESS. 563 00:22:52,180 --> 00:22:54,640 UH, GO AHEAD AND JUDGE. 564 00:22:54,640 --> 00:22:57,890 NO, AS LONG AS THERE'S NOT A LIFETIME COMMITMENT INVOLVED, 565 00:22:57,890 --> 00:22:59,690 I THINK YOU'RE DOING ALL RIGHT. 566 00:22:59,690 --> 00:23:01,940 AH, I APPRECIATE THAT. HOLD THIS. 567 00:23:01,940 --> 00:23:03,480 HEY, GUYS, I FOUND IT! 568 00:23:03,480 --> 00:23:05,940 ( sighing ) WAY TO BE LOW-KEY, MOM. 569 00:23:05,940 --> 00:23:07,690 THERE'S AN ELECTRIC VEHICLE CHARGING STATION 570 00:23:07,690 --> 00:23:08,980 RIGHT AROUND THE CORNER. 571 00:23:08,980 --> 00:23:10,950 SWEET. 572 00:23:10,950 --> 00:23:12,490 SHH. 573 00:23:15,410 --> 00:23:16,660 Kathryn: YOU READY? 574 00:23:16,660 --> 00:23:18,660 BAY'S FIRST SHOWCASE AT THE KAUFFMAN. 575 00:23:18,660 --> 00:23:20,670 ALL RIGHT, SHALL WE COUNT IT OFF? 576 00:23:20,670 --> 00:23:21,750 ON THREE. 577 00:23:21,750 --> 00:23:24,250 All: ONE, TWO, THREE. 578 00:23:24,250 --> 00:23:27,340 LET THERE BE LIGHT! 579 00:23:27,340 --> 00:23:28,710 ( gasps ) 580 00:23:32,310 --> 00:23:35,260 - Kathryn: AH. - Toby: UH-OH. 581 00:23:35,260 --> 00:23:37,720 WELL, THIS HAS BEEN GREAT. 582 00:23:37,720 --> 00:23:39,220 WE'LL GET THOSE CONTRACTS OVER, 583 00:23:39,220 --> 00:23:41,400 AND YOU AND FRONTIER CAN GET STARTED. 584 00:23:43,400 --> 00:23:45,020 YOU KNOW, I THINK I'M GONNA STICK WITH MY COMPANY. 585 00:23:45,020 --> 00:23:46,060 THEY'VE BEEN GOOD TO ME. 586 00:23:46,060 --> 00:23:48,320 WE'D LOVE TO MEET WITH THEM. 587 00:23:48,320 --> 00:23:49,400 SEE WHAT WE CAN WORK OUT. 588 00:23:50,450 --> 00:23:51,700 THAT WON'T BE NECESSARY. 589 00:23:53,450 --> 00:23:54,780 WE'RE SORRY TO HEAR THAT. 590 00:23:54,780 --> 00:23:57,570 YOU KNOW, I UNDERSTAND THERE'S BEEN SOME 591 00:23:57,570 --> 00:23:59,580 COMMUNITY TENSION ABOUT THIS PROJECT-- 592 00:23:59,580 --> 00:24:01,500 ACTS OF VANDALISM, THREATS OF VIOLENCE? 593 00:24:01,500 --> 00:24:04,750 A FEW MINOR INCIDENTS, NOTHING WE CAN'T HANDLE. 594 00:24:04,750 --> 00:24:06,580 VOLATILE SITUATION LIKE THAT, 595 00:24:06,580 --> 00:24:07,840 YOU NEVER KNOW WHAT CAN HAPPEN. 596 00:24:07,840 --> 00:24:10,850 I'D HATE TO SEE YOU GUYS GET HUNG UP IN DELAYS. 597 00:24:10,850 --> 00:24:14,180 WELL, THAT'S A RISK WE'RE WILLING TO TAKE. 598 00:24:15,680 --> 00:24:18,180 THANKS VERY MUCH FOR YOUR TIME, GUYS. 599 00:24:19,560 --> 00:24:20,810 Tammy: I'LL KEEP IN TOUCH. 600 00:24:25,480 --> 00:24:27,270 KEEP HIM AWAY FROM YOUR INTERNS. 601 00:24:38,530 --> 00:24:40,460 SO... 602 00:24:40,460 --> 00:24:42,710 MAYBE WE COULD TRY THE COUNTRY CLUB. 603 00:24:42,710 --> 00:24:43,830 THERE'S THAT WALL BY THE TENNIS COURTS. 604 00:24:43,830 --> 00:24:45,790 OH, DAD'S GOT A GENERATOR AT THE CAR WASH. 605 00:24:45,790 --> 00:24:47,540 - I'LL GO GRAB IT. - GUYS, IT'S NOT HAPPENING. 606 00:24:47,540 --> 00:24:49,550 THE PIECE FAILED; IT'S OVER. 607 00:24:49,550 --> 00:24:51,470 YOU WERE SO EXCITED. 608 00:24:51,470 --> 00:24:53,470 HONEY, DON'T GIVE UP BECAUSE OF ONE SETBACK. 609 00:24:53,470 --> 00:24:55,800 IT'S-- IT'S ALL PART OF THE CREATIVE PROCESS. 610 00:24:55,800 --> 00:24:56,930 I'M SORRY, MOM, 611 00:24:56,930 --> 00:24:58,300 BUT WHEN DID YOU BECOME SUCH AN EXPERT 612 00:24:58,300 --> 00:24:59,730 ON THE CREATIVE PROCESS? 613 00:24:59,730 --> 00:25:03,560 WELL, MAYBE WRITING ISN'T THE SAME AS VISUAL ARTS-- 614 00:25:03,560 --> 00:25:05,770 MOM, YOU'RE NOT A WRITER, NOT A REAL ONE. 615 00:25:05,770 --> 00:25:07,060 BAY. 616 00:25:08,980 --> 00:25:10,740 I SEE. 617 00:25:10,740 --> 00:25:12,530 GOOD LUCK WITH YOUR PROJECT. 618 00:25:12,530 --> 00:25:14,740 MOM, I-- 619 00:25:14,740 --> 00:25:16,320 NICE. 620 00:25:25,500 --> 00:25:27,000 MOM, WAIT. 621 00:25:27,000 --> 00:25:28,460 I DON'T CARE IF YOU'RE UPSET 622 00:25:28,460 --> 00:25:30,220 ABOUT YOUR ART PIECE, YOU HAVE NO RIGHT 623 00:25:30,220 --> 00:25:32,220 - TO TALK TO ME LIKE THAT. - I KNOW, I KNOW. 624 00:25:32,220 --> 00:25:34,380 AND YOU KNOW WHAT? EXCUSE ME. 625 00:25:34,380 --> 00:25:36,470 I AM A WRITER. 626 00:25:36,470 --> 00:25:39,220 I HAVE ONE BOOK PUBLISHED AND ANOTHER ONE-- 627 00:25:39,220 --> 00:25:41,440 WHAT AM I EVEN DEFENDING MYSELF TO YOU?! 628 00:25:41,440 --> 00:25:42,350 I'M SORRY. 629 00:25:43,890 --> 00:25:45,140 THIS ISN'T ABOUT THE ART PIECE. 630 00:25:45,140 --> 00:25:47,180 WHAT IS IT THEN? 631 00:25:49,950 --> 00:25:52,690 UH, GUYS, I THINK WE HAVE A LITTLE BIT OF A SITUATION HERE. 632 00:25:54,610 --> 00:25:56,280 ( siren blares ) 633 00:26:03,000 --> 00:26:05,200 ( car door opens ) 634 00:26:08,120 --> 00:26:10,130 ALL WE SAID IS THAT WE DIDN'T WANNA USE 635 00:26:10,130 --> 00:26:12,050 THEIR CONSTRUCTION COMPANY. 636 00:26:12,050 --> 00:26:14,010 HOW SCREWED ARE WE? 637 00:26:14,010 --> 00:26:16,010 WE MADE IT PRETTY CLEAR HE DOESN'T WANNA BE OUR FRIEND. 638 00:26:16,010 --> 00:26:17,920 YOU THINK IT'S BECAUSE HE RECOGNIZED ME? 639 00:26:17,920 --> 00:26:18,920 IT WOULDN'T HAVE MATTERED IF WE WERE WILLING TO 640 00:26:18,920 --> 00:26:19,930 CUT HIM A DEAL. 641 00:26:19,930 --> 00:26:21,310 - ( sighs ) - LIKE I SAID, 642 00:26:21,310 --> 00:26:23,060 IT'S HOW THINGS GET DONE. 643 00:26:23,060 --> 00:26:25,220 WHY NOT THIS TIME? 644 00:26:27,220 --> 00:26:30,230 I DIDN'T WANNA LOSE YOUR RESPECT. 645 00:26:30,230 --> 00:26:31,780 REALLY? 646 00:26:31,780 --> 00:26:34,690 PLUS, I DON'T NEED YOUR TEENAGE DAUGHTER 647 00:26:34,690 --> 00:26:36,940 - TRYING TO BLACKMAIL ME. - ( laughs ) 648 00:26:36,940 --> 00:26:38,940 WELL, THANK YOU 649 00:26:38,940 --> 00:26:41,450 FOR THE CRASH COURSE IN POLITICAL CORRUPTION. 650 00:26:41,450 --> 00:26:43,450 MY PLEASURE. 651 00:26:43,450 --> 00:26:46,200 LOOKS LIKE WE'LL BE TAKING THE HARD ROAD. 652 00:26:46,200 --> 00:26:48,740 OH, I'VE BEEN DOWN IT MANY TIMES, MY FRIEND. 653 00:26:48,740 --> 00:26:50,510 DRIVE SAFE. 654 00:26:50,510 --> 00:26:51,510 YOU TOO. 655 00:26:59,130 --> 00:27:00,890 ( engine turns over ) 656 00:27:11,230 --> 00:27:12,480 DAMN IT. 657 00:27:18,530 --> 00:27:20,370 ( deeply sighs ) 658 00:27:49,470 --> 00:27:52,230 YEAH, LOOKS LIKE IT'S FAMILY TRESPASSING NIGHT. 659 00:27:52,230 --> 00:27:53,270 Security Guard ( through radio ) 10-4. 660 00:28:01,120 --> 00:28:04,370 UH, EXCUSE ME. I'M AFRAID THERE'S BEEN SOME MISUNDERSTANDING. 661 00:28:04,370 --> 00:28:06,530 MY NAME IS, UH, KATHRYN DIXON... 662 00:28:06,530 --> 00:28:08,280 AND I REPRESENT THESE ARTISTS. 663 00:28:08,280 --> 00:28:10,290 THE HALLFRIDUR TWINS. 664 00:28:10,290 --> 00:28:13,040 THEY ARE THE ARTISTS IN RESIDENCE 665 00:28:13,040 --> 00:28:14,750 AT THE DEAF ART INSTITUTE 666 00:28:14,750 --> 00:28:16,130 IN REYKJAVIK. 667 00:28:18,420 --> 00:28:19,630 Security Guard: WELL, I, UH-- 668 00:28:19,630 --> 00:28:20,930 ( loudly ) I DON'T HAVE ANYTHING 669 00:28:20,930 --> 00:28:22,260 DOWN ABOUT THIS. 670 00:28:22,260 --> 00:28:24,260 THE LIGHT INSTALLATION?! 671 00:28:24,260 --> 00:28:26,180 WE SET IT UP MONTHS AGO. 672 00:28:26,180 --> 00:28:27,430 ( shuffling papers ) 673 00:28:27,430 --> 00:28:29,180 WELL, I'M AFRAID I'M JUST GONNA HAVE TO CALL 674 00:28:29,180 --> 00:28:31,190 GARY KLEINHOFFER FROM THE BOARD. 675 00:28:31,190 --> 00:28:32,690 I'M SURE WE CAN SETTLE THIS 676 00:28:32,690 --> 00:28:34,400 WITHOUT CALLING MR. KLEINHOFFER. 677 00:28:34,400 --> 00:28:36,150 WAIT, I THINK HE'S AT SOME KIND OF BENEFIT. 678 00:28:36,150 --> 00:28:38,980 GARY, HELLO, HI. KATHRYN DIXON. 679 00:28:38,980 --> 00:28:40,990 UM, WAIT, CAN YOU HEAR ME? 680 00:28:40,990 --> 00:28:42,490 TERRIBLE RECEPTION HERE. 681 00:28:42,490 --> 00:28:43,530 LOOK, THERE'S NO NEED. 682 00:28:43,530 --> 00:28:45,410 I MEAN, IF MR. KLEINHOFFER-- 683 00:28:45,410 --> 00:28:46,780 WE COULD SETTLE THIS RIGHT NOW. 684 00:28:46,780 --> 00:28:48,240 IT'S FINE. 685 00:28:48,240 --> 00:28:50,750 OH. GARY, I'M SO SORRY TO BOTHER YOU. 686 00:28:50,750 --> 00:28:53,750 FALSE ALARM. BYE. 687 00:28:53,750 --> 00:28:55,250 CAN'T HEAR ME ANYWAY. ( chuckles ) 688 00:28:55,250 --> 00:28:56,540 I SHOULD BE USED TO THIS BY NOW. 689 00:28:56,540 --> 00:28:58,290 THERE'S ALWAYS SOME CRAZY THING 690 00:28:58,290 --> 00:28:59,250 HAPPENING AROUND HERE. 691 00:28:59,250 --> 00:29:01,470 CALL OFF THE K.C.P.D. 692 00:29:01,470 --> 00:29:02,510 10-4. Roger that. 693 00:29:02,510 --> 00:29:03,680 OH, CRAP. 694 00:29:03,680 --> 00:29:05,260 I RAN OUT OF REPORT FORMS. 695 00:29:05,260 --> 00:29:07,010 HOLD ON. 696 00:29:11,230 --> 00:29:13,190 ( quietly ) THE DEAF ART INSTITUTE OF REYKJAVIK?! 697 00:29:13,190 --> 00:29:14,100 YOU WERE ON FIRE! 698 00:29:14,100 --> 00:29:15,230 ( chuckles ) 699 00:29:15,230 --> 00:29:17,480 IT'S LIKE I'M A REAL WRITER. 700 00:29:21,450 --> 00:29:22,700 BAY? 701 00:29:26,450 --> 00:29:28,950 I'M THE WORST DAUGHTER IN THE WORLD. 702 00:29:28,950 --> 00:29:30,250 WHAT ARE YOU TALKING ABOUT? 703 00:29:30,250 --> 00:29:33,000 WELL, HERE YOU-- YOU CAME OUT HERE 704 00:29:33,000 --> 00:29:34,750 IN THE MIDDLE OF THE NIGHT 705 00:29:34,750 --> 00:29:37,750 AND YOU TOTALLY SAVED ME. YOU DID ALL OF THIS FOR ME, 706 00:29:37,750 --> 00:29:40,130 AND I... 707 00:29:40,130 --> 00:29:42,130 DIDN'T EVEN GET INTO PRATT. 708 00:29:42,130 --> 00:29:44,130 OH, WHAT? 709 00:29:45,880 --> 00:29:47,380 THEY REJECTED ME. 710 00:29:47,380 --> 00:29:50,390 OH, I'M SO SORRY, HONEY. 711 00:29:50,390 --> 00:29:52,140 ( sniffles ) 712 00:29:52,140 --> 00:29:55,640 I REALLY WANTED THEM AND THEY DIDN'T WANT ME. 713 00:29:57,980 --> 00:29:59,230 BABY... 714 00:30:13,210 --> 00:30:14,950 HEY. 715 00:30:14,950 --> 00:30:16,290 I THINK WE'RE ALL SET. 716 00:30:16,290 --> 00:30:19,880 THANKS. UH, I GET THIS. 717 00:30:19,880 --> 00:30:21,920 CAN I ASK YOU SOMETHING? 718 00:30:21,920 --> 00:30:23,800 SURE. 719 00:30:25,670 --> 00:30:27,880 WHAT DOES THIS MEAN? 720 00:30:33,890 --> 00:30:36,850 UM, THIS MEANS... 721 00:30:36,850 --> 00:30:40,400 THAT EVERYTHING WILL BE SOLD NEXT WEEK. 722 00:30:40,400 --> 00:30:42,400 WHY? 723 00:30:42,400 --> 00:30:43,900 WHAT HAPPENED? 724 00:30:43,900 --> 00:30:45,030 MY PARTNER. 725 00:30:45,030 --> 00:30:47,110 - CHRISTY? - YEAH. 726 00:30:47,110 --> 00:30:49,860 SHE HAS THIS OTHER PLACE ACROSS TOWN. 727 00:30:49,860 --> 00:30:53,370 I THOUGHT SHE COULD HANDLE IT ALL, BUT, UH, 728 00:30:53,370 --> 00:30:55,750 I GUESS SHE GOT IN OVER HER HEAD. 729 00:30:55,750 --> 00:30:58,990 ISN'T THERE SOMETHING YOU CAN DO? 730 00:30:58,990 --> 00:31:01,000 WE FORECLOSED. 731 00:31:01,000 --> 00:31:03,000 THE BANK GETS EVERYTHING. 732 00:31:03,000 --> 00:31:05,670 IT'S-- IT'S DONE. 733 00:31:08,210 --> 00:31:11,720 I THOUGHT I WAS DONE, YOU KNOW? 734 00:31:11,720 --> 00:31:14,470 WANDERING AROUND... 735 00:31:14,470 --> 00:31:16,720 FIRST I'M A MUSICIAN, 736 00:31:16,720 --> 00:31:18,680 NOW I'M A CARPENTER, 737 00:31:18,680 --> 00:31:20,860 TRYING TO BE A FATHER. 738 00:31:22,860 --> 00:31:26,650 FAILING AT BEING A FATHER. 739 00:31:26,650 --> 00:31:30,620 THIS WAS SUPPOSED TO BE WHEN EVERYTHING CAME TOGETHER. 740 00:31:33,910 --> 00:31:35,700 BUT IT FELL APART. 741 00:31:35,700 --> 00:31:38,950 AT LEAST IT BROUGHT US TOGETHER. 742 00:31:41,670 --> 00:31:42,920 YEAH. 743 00:31:50,970 --> 00:31:52,390 ( gasps ) 744 00:31:52,390 --> 00:31:55,640 AH, I REMEMBER WHERE I LEFT MY BOOK! 745 00:31:55,640 --> 00:31:57,220 I HAD IT WITH ME WHEN I WENT TO KandD. 746 00:31:57,220 --> 00:31:58,470 WE ARE BACK TO THE BOOK? 747 00:31:58,470 --> 00:32:00,190 I KNOW, I KNOW. I NEED TO LET IT GO. 748 00:32:00,190 --> 00:32:02,730 - BUT-- - LISTEN, WE CAN JUST CALL REGINA. 749 00:32:02,730 --> 00:32:05,610 NO, DON'T BOTHER HER. SHE'S AT THAT DINNER. 750 00:32:05,610 --> 00:32:07,940 BUT I HAVE A KEY. 751 00:32:09,990 --> 00:32:11,620 DO YOU MIND? 752 00:32:11,620 --> 00:32:13,030 ( sighs ) 753 00:32:13,030 --> 00:32:14,030 OF COURSE NOT. 754 00:32:16,740 --> 00:32:17,740 HANG ON. 755 00:32:29,040 --> 00:32:31,300 ( grunts, exhales ) 756 00:33:02,710 --> 00:33:05,040 WELL, THAT'S THE LAST OF IT. 757 00:33:05,040 --> 00:33:07,170 I'M SORRY I RUINED EVERYONE'S ARTISTIC BUZZ 758 00:33:07,170 --> 00:33:10,050 WITH MY MIDAS TOUCH OF FAILURE. 759 00:33:10,050 --> 00:33:12,720 HEY, YOU DON'T HAVE SOLE RIGHTS TO FAILURE IN THIS FAMILY. 760 00:33:12,720 --> 00:33:14,970 I HAVE 18 REJECTED BOOK PROPOSALS 761 00:33:14,970 --> 00:33:16,260 THAT I COULD SHOW YOU. 762 00:33:16,260 --> 00:33:17,470 I'VE GOT A FAILED MARRIAGE, 763 00:33:17,470 --> 00:33:19,050 AND I CAN'T EVEN LEGALLY DRINK YET. 764 00:33:19,050 --> 00:33:21,560 AND YOU WERE WAITLISTED AT WASH U. 765 00:33:21,560 --> 00:33:22,730 THERE'S THAT. 766 00:33:22,730 --> 00:33:23,640 PLUS, THERE WAS THAT GAMBLING THING. 767 00:33:23,640 --> 00:33:24,640 THAT WAS BAD. 768 00:33:24,640 --> 00:33:25,640 THANKS, MOM. 769 00:33:25,640 --> 00:33:28,900 I FEEL SO MUCH BETTER. 770 00:33:28,900 --> 00:33:29,900 WE SHOULD GO. 771 00:33:29,900 --> 00:33:31,860 NO, LET'S JUST KINDA WAIT A SECOND. 772 00:33:31,860 --> 00:33:34,030 ( car approaching ) 773 00:33:40,160 --> 00:33:42,040 I HEARD SOMEONE NEEDED SOME POWER 774 00:33:42,040 --> 00:33:43,420 TO LIGHT UP HER DREAMS. 775 00:33:44,460 --> 00:33:46,370 GENERATOR IS IN THE TRUNK. 776 00:33:46,370 --> 00:33:47,420 NICE GOING. 777 00:33:47,420 --> 00:33:49,040 - THANK YOU. - HEY, HONEY. 778 00:33:49,040 --> 00:33:51,800 - HEY. - TELL BAY ABOUT A MOMENT 779 00:33:51,800 --> 00:33:55,800 WHEN YOUR DREAMS WERE CRUSHED, BUT YOU SURVIVED ANYWAY. 780 00:33:58,550 --> 00:34:00,180 OH, YES. 781 00:34:00,180 --> 00:34:02,680 WHEN I BECAME A STATE SENATOR, 782 00:34:02,680 --> 00:34:04,890 I THOUGHT THAT I WOULD BE USEFUL. 783 00:34:04,890 --> 00:34:07,180 INSTEAD OF A BARELY-TOLERATED PUPPET 784 00:34:07,180 --> 00:34:08,350 FOR CORPORATE INTERESTS. 785 00:34:09,480 --> 00:34:10,990 THAT WAS A GOOD ONE. 786 00:34:10,990 --> 00:34:11,990 HAPPY TO HELP. 787 00:34:13,240 --> 00:34:14,990 SO ARE WE DOING THIS, OR WHAT? 788 00:34:15,740 --> 00:34:17,740 COME ON, HONEY. GIVE IT ANOTHER SHOT. 789 00:34:21,290 --> 00:34:22,790 SURE. 790 00:34:22,790 --> 00:34:24,790 IF SECURITY COMES BACK, LET MOM TAKE THE LEAD. 791 00:34:34,970 --> 00:34:36,670 ( laughing ) 792 00:34:36,670 --> 00:34:37,710 IT LOOKS LIKE SHE'S WORKING LATE. 793 00:34:39,470 --> 00:34:40,480 ( sighs ) 794 00:34:41,480 --> 00:34:42,980 ALONE? 795 00:34:42,980 --> 00:34:44,720 SHE PROMISED NOT TO DO THAT. 796 00:34:44,720 --> 00:34:46,720 ( cell phone ringing ) 797 00:34:49,520 --> 00:34:51,030 - IT'S CHRISTY. - GET IT. 798 00:34:51,030 --> 00:34:53,030 I'LL GO IN AND TELL MOM TO COME HOME WITH US. 799 00:34:57,360 --> 00:34:59,360 CHRISTY. 800 00:34:59,360 --> 00:35:01,870 NO, I UNDERSTAND. 801 00:35:01,870 --> 00:35:04,450 BUT THIS IS NOT WHAT WE DISCUSSED. 802 00:35:04,450 --> 00:35:07,040 ( bell dings ) 803 00:35:07,040 --> 00:35:07,790 MOM! 804 00:35:12,630 --> 00:35:14,050 ( shuffling ) 805 00:35:14,050 --> 00:35:15,050 HELLO? 806 00:35:15,050 --> 00:35:16,630 WHO'S THERE?! 807 00:35:19,250 --> 00:35:21,260 ( loud thuds ) 808 00:35:35,650 --> 00:35:36,690 ( clicks ) 809 00:35:39,030 --> 00:35:40,910 DON'T COME IN HERE! I HAVE A GUN! 810 00:35:40,910 --> 00:35:42,950 ( gun clicks ) 811 00:35:44,620 --> 00:35:45,740 ( both gasp ) 812 00:35:49,540 --> 00:35:50,550 ( panting ) OH, MY GOD. 813 00:35:50,550 --> 00:35:52,920 - MOM! - SO SORRY. 814 00:35:52,920 --> 00:35:54,550 YOU HAVE A GUN?! 815 00:35:54,550 --> 00:35:55,880 I DIDN'T KNOW IT WAS YOU. 816 00:35:55,880 --> 00:35:57,380 - ARE YOU OKAY? - I CALLED OUT! 817 00:35:57,380 --> 00:35:59,380 THE WATER MUST HAVE BEEN ON, AND THEN I CALLED OUT. 818 00:35:59,380 --> 00:36:00,680 I'M DEAF! 819 00:36:00,680 --> 00:36:02,430 SWEETIE, I KNOW! 820 00:36:03,510 --> 00:36:06,010 I WASN'T EXPECTING YOU. NO ONE ANSWERED 821 00:36:06,010 --> 00:36:09,760 - AND I PANICKED. - ( bell dings ) 822 00:36:09,760 --> 00:36:11,190 WHAT'S GOING ON? 823 00:36:11,190 --> 00:36:12,400 WHAT ARE YOU DOING HERE? 824 00:36:12,400 --> 00:36:14,610 SHE CAME TO GET A BOOK. 825 00:36:14,610 --> 00:36:16,480 DID SOMETHING HAPPEN? 826 00:36:16,480 --> 00:36:17,730 I HEARD SOMEONE 827 00:36:17,730 --> 00:36:19,730 AND I DIDN'T KNOW WHO IT WAS. 828 00:36:19,730 --> 00:36:21,490 SHE PULLED A GUN. 829 00:36:21,490 --> 00:36:22,740 YOU WHAT? 830 00:36:22,740 --> 00:36:25,120 I WAS TERRIFIED. I HEARD SOMEONE. 831 00:36:25,120 --> 00:36:27,160 DAPHNE, ARE YOU OKAY? 832 00:36:27,160 --> 00:36:29,490 - YEAH. - LOOK, I DIDN'T-- 833 00:36:29,490 --> 00:36:31,380 NOTHING HAPPENED. 834 00:36:31,380 --> 00:36:32,920 WHERE DID YOU GET A GUN? 835 00:36:32,920 --> 00:36:34,500 IT WAS SOMETHING WES THOUGHT I SHOULD HAVE. 836 00:36:34,500 --> 00:36:36,460 - WES?! - TO BE SAFE. 837 00:36:36,460 --> 00:36:38,460 SO YOU NEARLY SHOT OUR DAUGHTER?! 838 00:36:38,460 --> 00:36:39,790 YOU GUYS, STOP. I'M FINE. 839 00:36:39,790 --> 00:36:41,430 I THOUGHT SHE WAS AN INTRUDER. 840 00:36:41,430 --> 00:36:43,430 THERE WAS GRAFFITI! I DID NOT HEAR HER COME IN! 841 00:36:43,430 --> 00:36:44,640 THAT'S IT! 842 00:36:44,640 --> 00:36:47,510 THIS EAST RIVERSIDE PROJECT HAS TO STOP! 843 00:36:47,510 --> 00:36:49,510 THIS HAS NOTHING TO DO WITH WES OR THE PROJECT. 844 00:36:49,510 --> 00:36:51,020 I JUST OVERREACTED. 845 00:36:51,020 --> 00:36:53,480 YOU'RE COMPLETELY BLIND, YOU KNOW THAT? 846 00:36:53,480 --> 00:36:55,730 ALL OF THIS "WE WANNA SAVE EAST RIVERSIDE." 847 00:36:55,730 --> 00:36:57,610 JUST ADMIT IT! IT'S FOR HIM! 848 00:36:57,610 --> 00:37:00,190 WHAT ARE YOU SAYING? THAT I'M CHEATING? 849 00:37:00,190 --> 00:37:01,200 ARE YOU? 850 00:37:01,200 --> 00:37:03,450 ARE YOU KIDDING ME?! 851 00:37:03,450 --> 00:37:07,530 CAN I REMIND YOU THAT YOU ARE THE ONE THAT LEFT US? 852 00:37:07,530 --> 00:37:09,780 AND THEN HAD A BABY WITH ANOTHER WOMAN?! 853 00:37:11,790 --> 00:37:13,370 YOU COULDN'T RAISE THAT ONE EITHER, COULD YOU? 854 00:37:13,370 --> 00:37:14,460 MOM! 855 00:37:14,460 --> 00:37:16,960 I'VE GIVEN YOU EVERYTHING I'VE GOT! 856 00:37:27,470 --> 00:37:28,470 ANGELO, WAIT! 857 00:37:31,560 --> 00:37:33,690 WAIT! 858 00:37:33,690 --> 00:37:35,060 DON'T GO. 859 00:37:35,060 --> 00:37:37,480 I'M GOING TO MY APARTMENT. I'LL SEE YOU TOMORROW. 860 00:37:37,480 --> 00:37:40,020 I'M SORRY FOR EVERYTHING. 861 00:37:40,020 --> 00:37:42,950 IT'S NOT YOUR FAULT. IF SHE WASN'T SO STUBBORN... 862 00:37:42,950 --> 00:37:44,860 LOOK, 863 00:37:44,860 --> 00:37:47,110 GOOD LUCK WITH THE TEST; TEXT ME WHEN YOU'RE DONE. 864 00:37:47,110 --> 00:37:48,530 ( engine turns over ) 865 00:37:51,040 --> 00:37:53,210 ( tires screeching ) 866 00:38:07,010 --> 00:38:09,760 NO WONDER YOU SHORTED OUT THE ENTIRE BUILDING. 867 00:38:09,760 --> 00:38:11,190 LOOK AT THAT THING. 868 00:38:11,190 --> 00:38:12,930 YEAH, I NOTICED. UH... 869 00:38:12,930 --> 00:38:14,430 MM-HMM. 870 00:38:14,430 --> 00:38:16,190 SO ARE WE READY? 871 00:38:16,190 --> 00:38:19,640 - ( exhales ) - John, Kathryn, Toby: ONE, TWO... 872 00:38:19,640 --> 00:38:20,530 THREE! 873 00:38:20,530 --> 00:38:22,780 LET THERE BE LIGHT! PLEASE. 874 00:38:24,610 --> 00:38:26,360 ( projector whirring ) 875 00:38:26,360 --> 00:38:28,940 ♪ OPEN UP THE SKYLIGHT, BABY ♪ 876 00:38:28,940 --> 00:38:32,210 ♪ LET THE TRUTH COME RUSHING IN ♪ 877 00:38:33,620 --> 00:38:36,370 ♪ DON'T YOU LET YOUR HEART GO ANYWHERE ♪ 878 00:38:36,370 --> 00:38:39,620 ♪ JUST THINK WHAT MIGHT HAVE BEEN ♪ 879 00:38:40,920 --> 00:38:43,420 ♪ NOW THAT ALL THE WAITING'S OVER ♪ 880 00:38:43,420 --> 00:38:46,510 ♪ DON'T KNOW WHAT I WOULDN'T GIVE ♪ 881 00:38:47,800 --> 00:38:49,380 ♪ TO HIDE AMONG THE BYGONE SHADOWS... ♪ 882 00:38:49,380 --> 00:38:51,640 THAT IS THE WORK OF AN ARTIST 883 00:38:51,640 --> 00:38:54,810 WITH A VERY BRIGHT FUTURE... 884 00:38:54,810 --> 00:38:55,810 AHEAD OF HER. 885 00:38:55,810 --> 00:38:59,770 ♪ OH-OH-OH-OH-OH ♪ 886 00:38:59,770 --> 00:39:02,530 ♪ OH-OH-OH-OH-OH ♪ 887 00:39:02,530 --> 00:39:04,900 ♪ OH-OH-OH ♪ 888 00:39:04,900 --> 00:39:06,900 ♪ THERE'S NEVER BEEN A BETTER TIME... ♪ 889 00:39:06,900 --> 00:39:08,650 YOU'RE A VALKYRIE. 890 00:39:08,650 --> 00:39:11,160 ♪ TO BE ALIVE... ♪ 891 00:39:11,160 --> 00:39:13,160 SCREW PRATT. 892 00:39:14,450 --> 00:39:15,450 THANKS, GUYS. 893 00:39:15,450 --> 00:39:17,700 LET'S GO TAKE SOME PICTURES. 894 00:39:17,700 --> 00:39:19,370 COME ON. 895 00:39:22,760 --> 00:39:25,500 SO, SEEMS LIKE THE TRIP 896 00:39:25,500 --> 00:39:27,210 PUT THE WHOLE NIKKI THING BEHIND YOU, HUH? 897 00:39:30,210 --> 00:39:33,470 AH. 898 00:39:33,470 --> 00:39:35,470 WELL... 899 00:39:35,470 --> 00:39:38,720 BEST THING TO DO IS JUST GET BACK TO BUSINESS AS USUAL. 900 00:39:40,570 --> 00:39:42,820 REGULAR PLACE TO GO EVERY MORNING. 901 00:39:44,230 --> 00:39:45,730 ABOUT THAT. 902 00:39:45,730 --> 00:39:48,730 UM, I WAS WONDERING IF YOU WOULD... 903 00:39:48,730 --> 00:39:50,740 FIRE ME FROM THE CAR WASH. 904 00:39:52,240 --> 00:39:54,490 ( chuckles lightly ) C-COME AGAIN? 905 00:39:54,490 --> 00:39:57,490 I WAS HOPING TO GET ON UNEMPLOYMENT 906 00:39:57,490 --> 00:40:00,240 SO I COULD TAKE A FEW WEEKS AND LAUNCH MY NEXT THING. 907 00:40:01,710 --> 00:40:03,710 I THINK I WANNA BE A DJ. 908 00:40:03,710 --> 00:40:05,750 A DJ? 909 00:40:05,750 --> 00:40:08,250 LIKE FOR WEDDINGS? 910 00:40:08,250 --> 00:40:11,970 ( laughs ) UM, MORE LIKE FOR CLUBS. 911 00:40:11,970 --> 00:40:13,970 BUT, YOU KNOW, I NEED SOME, UH... 912 00:40:13,970 --> 00:40:15,510 EQUIPMENT, 913 00:40:15,510 --> 00:40:18,510 MAKE SOME NEW TRACKS, GET SOME GIGS. 914 00:40:20,480 --> 00:40:22,520 OKAY. YOU'RE FIRED. 915 00:40:22,520 --> 00:40:24,270 THANKS. 916 00:40:29,650 --> 00:40:31,410 - NICE. - ( chuckles ) 917 00:40:31,410 --> 00:40:33,490 ( both sigh ) 918 00:40:33,490 --> 00:40:34,490 IT REALLY IS BEAUTIFUL. 919 00:40:36,910 --> 00:40:39,160 YEAH, IF ONLY PRATT THOUGHT SO. 920 00:40:41,130 --> 00:40:44,500 ( sighs ) IT'S THE ONLY SCHOOL I'VE EVER WANTED TO GO TO. 921 00:40:44,500 --> 00:40:47,500 WHAT AM I SUPPOSED TO DO NOW? 922 00:40:47,500 --> 00:40:49,250 YOU KNOW WHAT YOU'RE SUPPOSED TO DO NOW? 923 00:40:49,250 --> 00:40:52,300 DEVOUR A TRIPLE-CHOCOLATE FUDGE SUNDAE 924 00:40:52,300 --> 00:40:54,800 FROM FARRELL'S! WHAT DO YOU THINK, YOU GUYS? 925 00:40:54,800 --> 00:40:56,550 - HEH. - HUH? 926 00:40:56,550 --> 00:40:59,510 HATE TO SPOIL THE PARTY, BUT FARRELL'S CLOSES IN 10 MINUTES. 927 00:40:59,510 --> 00:41:02,520 - OH. - WELL THEN, WHY DON'T YOU TAKE THIS? 928 00:41:02,520 --> 00:41:06,360 ENJOY YOUR ICE CREAM, AND YOUR MOTHER AND I WILL CLEAN ALL THIS UP. 929 00:41:06,360 --> 00:41:08,100 REALLY? THANKS. 930 00:41:08,100 --> 00:41:09,360 WE'LL BRING YOU BACK SOMETHING. 931 00:41:09,360 --> 00:41:10,480 AWW, OKAY. 932 00:41:10,480 --> 00:41:11,990 CAN I TAKE THE PORSCHE? 933 00:41:11,990 --> 00:41:13,490 UHH... 934 00:41:13,490 --> 00:41:14,990 OKAY. 935 00:41:14,990 --> 00:41:16,490 HA-HO! YES! 936 00:41:16,490 --> 00:41:19,240 WHOA! YOU'RE STILL ON ICELAND TIME. 937 00:41:19,240 --> 00:41:20,750 - YOU SHOULD PROBABLY LET ME DRIVE. - NICE TRY, 938 00:41:20,750 --> 00:41:22,290 BUT I'LL BE JUST FINE. 939 00:41:24,620 --> 00:41:28,000 - HEY! DRIVE SAFE! - YES, MOTHER. 940 00:41:28,000 --> 00:41:32,510 ♪ ...'CAUSE THERE'S NEVER BEEN A BETTER TIME ♪ 941 00:41:32,510 --> 00:41:36,760 ♪ TO BE ALIVE. ♪ 942 00:41:39,680 --> 00:41:41,690 ( tires screeching ) 943 00:41:49,980 --> 00:41:51,990 ( cell phone ringing ) 944 00:41:51,990 --> 00:41:53,410 Kathryn: OHH. 945 00:41:53,410 --> 00:41:55,150 ( sighs ) 946 00:41:56,780 --> 00:41:58,740 OH. 947 00:41:58,740 --> 00:42:00,750 ( sighs deeply ) 948 00:42:00,750 --> 00:42:01,750 ( groggily ) HELLO? 949 00:42:04,460 --> 00:42:07,710 OH, NO. 950 00:42:07,710 --> 00:42:10,210 - WHAT? WHAT IS IT? - OH... 951 00:42:10,210 --> 00:42:13,220 ( exhales ) THERE'S BEEN AN ACCIDENT. 952 00:42:13,220 --> 00:42:15,470 WHAT? WHO IS THAT? 953 00:42:15,470 --> 00:42:17,220 ( breathing heavily ) 954 00:42:17,220 --> 00:42:19,220 WE HAVE TO GET TO THE HOSPITAL. 955 00:42:19,220 --> 00:42:21,230 NO NO NO, I'M STILL HERE. 956 00:42:21,230 --> 00:42:22,390 OKAY. 957 00:42:22,390 --> 00:42:24,980 Doctor: THREE, TWO, ONE, PULL. 958 00:42:24,980 --> 00:42:27,480 - EASY EASY. - ( Doctor speaks indistinctly ) 959 00:42:27,480 --> 00:42:28,980 - SIGNS OF INTERNAL INJURY... - CLEAR THIS OUT. 960 00:42:28,980 --> 00:42:30,180 - ...BRUISING. - ROLL HIM. ONE... 961 00:42:30,180 --> 00:42:31,690 - PASS ME THE O2. - ...TWO, THREE. 962 00:42:31,690 --> 00:42:32,990 - GENTLY. - ABDOMINAL BRUISING. 963 00:42:32,990 --> 00:42:34,150 CUT THE SHIRT. I NEED TO SEE HIM. 964 00:42:34,150 --> 00:42:35,650 Doctor: ANY SIGNS OF SPINAL INJURY? 965 00:42:35,650 --> 00:42:37,740 Doctor CALL RADIOLOGY FOR CT, STAT. 966 00:42:37,740 --> 00:42:39,490 - SIR, DO YOU HEAR ME? - HEART STEADY... 967 00:42:39,490 --> 00:42:42,000 - ( indistinct speech ) - ( heart monitor beeps ) 968 00:42:42,000 --> 00:42:43,660 ALL RIGHT, LET'S SEE WHAT WE GOT. 969 00:42:43,660 --> 00:42:44,700 DILATED... 970 00:42:44,700 --> 00:42:46,460 NO RESPONSE... 971 00:42:46,460 --> 00:42:48,460 ( doctors speaking indistinctly ) 972 00:42:50,460 --> 00:42:52,920 ( beeping continues )